Something beautiful happens when bands undertake a genre switch. While bravery is often a large part of it, what fans may not realize is that their favorite bands were once at risk of some serious creative stagnancy…and nobody wants the same album multiple times.
Comprised of vocalist Bradley Scott and guitarist ER White, Emarosa burst onto the alternative/post-hardcore scene in 2007 before brazenly switching gears into the indie and synthpop world with their previous release – 2019’s Peach Club – which soared to claim a top spot on the US Billboard charts upon release, later warranting a completely sold out nationwide tour. After four years of crafting an album they’re incredibly proud of, the band are excited to release a follow-up worthy of their loyal fanbase’s attention.
Sting does…well, just that, in the best way possible. “Every album we outdo ourselves. ‘Sting’ is no exception. No reservations, no holds barred, this record is unapologetic & defiantly confident,” shared Scott, and the sentiment holds true. First teased last April in the form of the fantastic “Preach,” Sting proves to be a force that should get everyone talking…and dancing.
We had the honor of asking the band to break down each track off of Sting for this exclusive track-by-track commentary. Check it out below and don’t forget to get your hands on physical copies here!
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“Preach”
From the first snare hit to the unabashed MJ “ow!” proclamation, it only takes a moment to realize we’ve doubled down on the pop sensibility we tackled in 2019. The first words of this record, “Pack it up, love. Nothing lasts forever” says everything I’ve felt across the last 3 years since Peach Club. It can all be taken away in a second, you can be at the top and in the blink of an eye you’re at rock bottom. Everyone has an opinion, a stone to throw, they all have something to preach. Just don’t preach to me.
“Attention”
This might be the most self-serving song we’ve ever written. I love to be the center of attention, I was born an entertainer. It comes with the territory. Love me or hate me, I just don’t care. I was so unapologetic in this song, I think I wrote this song as the most honest form of myself, without fear or judgment or criticism. We all want attention, nobody wants to end up alone. This is the anthem for everyone brave enough to own it.
“Stay”
“Stay” really turned into a “become what you hate” story. That feeling of knowing something is bad for you and you’re on the fence but something pushes you over. “It’s such a dangerous hunger I can’t help,” something about that to me screams love/hate and passion. You’re being hunted, she turns you, you become the hunter. It’s a very vampire/werewolf metaphor. This would have been great if Twilight was in the 80s.
“Cinnamon”
“Cinnamon” is such a sexy track. That intense moment between two new lovers. The passion, the anticipation. I’d like to leave a little to the imagination but I think the listener knows what’s happening.
“Forgiveness”
Nobody is perfect, nobody bats 1000. I think instead of crucifying everyone for their mistakes it benefits to understand we’re all human. There’s not a person on this planet who doesn’t need forgiveness for something. Hopefully, this song can remind us of that.
“INLA”
I’ve written love songs about the same person for as long as I can remember. Sometimes they pour out and there’s nothing you can do but let it. There are times we need that space to grow alone and hope that you can come back better than you were before. This song feels like reaching for a second chance.
“Again”
The song practically writes itself. The PCH at sunset, riding around with tears in your eyes. Thinking about the wrongs you did and the rights you wish you could. Looking for something to keep you busy so your mind doesn’t wander. I always love the contrast of sadness with some pop elements.
“Woman”
This one seems to be a favorite, came out of nowhere. I love how honest it is, knowing someone isn’t for you and not dragging it along. Not being scared to be honest and let your real feelings out. Broken people want to be saved but they want to be saved on their terms.
“Rush”
Don’t fall too fast, take it slow. The opening line tells the whole story. It’s a scary thing to fall in love, it’s a dangerous thing to fall in love fast.
“Danger”
Likely my favorite song on the album. A slow burn, a beautiful crescendo, just such a vibe. You can take what you want from it, I don’t want to give this song too literal of a meaning.
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